森野泰明もりの たいめい

顧問

條文緑彩扁壺

作家のことば

　手捻りの手法により成形。
　二種類の高火度の色釉薬と一種類の低火土釉を使用。
　文様とフォルムがリズミカルに一体となることを心掛けた。
　焼成間に生じる人為の及ばない変化の不思議、意外性はやきものの一つの要素です。

Molded by hand-twisting technique.
Two types of high-fired colored glazes and one type of low-fired clay glaze were used.
The pattern and form were intended to be rhythmically integrated.
The mystery and unexpectedness of the inhuman changes that occur between firings is one of the elements of pottery.