吉澤石琥よしざわ せきこ

会員

富士山

作家のことば

　隷書等に見られる波磔を、漢代の簡牘、晋代の索靖の月儀章等に見られる「章草」を意識しながら、やや誇張して仕上げてみました。横への広がりを意識し、より大胆な動きを加えて線の太細、潤渇、粗密を考えましたが、行間の広狭が一番難しかったように思います。題材は「富士山」の絶景を詠んだ石川丈山の詩を選びました。

I tried to finish this work by slightly exaggerating the wavy crucifixion seen in slab scripts, etc., while being conscious of the "chapter and grass" seen in the Han dynasty's simplified letters and the Jin dynasty's Saijing's moon-glass chapters, etc. I tried to add more bold movements with an awareness of horizontal expansion. I was conscious of the horizontal expansion of the lines and added more bold movements, and considered the thickness, moisture, and coarseness of the lines, but I think the most difficult part was the narrowing and widening of the space between lines. For the subject matter, I chose a poem by Ishikawa Jozan, who wrote about the spectacular view of Mt.