池永碧濤いけなが　へきとう

無鑑査

張均詩

作家のことば

　亡師や先達の教え、その鮮やかな筆跡を基本に、王義之・米芾・王鐸等の魅力的な古典の文字を取り入れながら、洗練された仕上がりを求め多習を重ねました。
　運筆の遅速緩急、文字の大小、線の太細等、色々な変化を加味し単調にならぬ様心懸けて制作に励みました。

Based on the teachings of the late master and his predecessors and on the vivid handwriting of his predecessors, I repeated many studies in search of a refined finish while incorporating the attractive classical characters of Yizhi Wang, Mi Fu, Wang Duo, etc. The slow, gradual, and quick movements of the strokes, the sharpness of the strokes, and the sharpness of the strokes, all these elements were all carefully considered.
I tried to avoid monotony by adding various changes to the brushstrokes, such as slow and rapid, large and small characters, and thick and thin lines.