師田久子しだ ひさこ

会員

新古今和歌集（秋）

作家のことば

　白に梅の模様が浮き出た紙に、新古今和歌集を中央に大字一首、周りに中字、小字で三首。
　余白美を意識し、大字で山場を作り、一つのリズムの中に、大字、中小字のリズムがいかに一体化出来るか悩みながらの作。

One large poem from the Shinkokin Wakashu anthology in the center, surrounded by three small and medium-sized poems, on white paper with a raised plum tree pattern.
The work was created with an awareness of the beauty of the margins, creating a climax in the large letters, and worrying about how to integrate the rhythms of the large and small letters within a single rhythm.